Habt ihr ernsthaft mit einem Release in diesem Jahr gerechnet?!? Ich bitte euch...
Ist doch bei jeder Band diesen Alters und dieser Größe so. Die nehmen sich doch alle viel Zeit. Also, locker bleiben. Gibt doch noch genügend andere geile Bands. Mal abgesehen davon, dass die Jungs uns gerade erst vor ein paar Wochen 4 "neue" Songs kredenzten...
Ich erinnere nur an 2006, wo es ja auch schon hieß, die Songs seien fertig. Und was war dann am Ende mit The New Song und The Other New Song oder wie auch immer sie hießen. Wurden fast komplett verworfen. Was meiner Meinung nach auch gut war. Also, ich würd da nicht zuviel drauf geben. Lars hört sich halt gerne reden. Das sie "in 7-8 Songs drin sind" muss nichts heissen...
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"We're about seven, eight songs into it," METALLICA drummer Lars Ulrich tells Rolling Stone magazine about the record, which will once again be produced by Rick Rubin.
"We do it in rounds. We come up with something, we leave it, go to the next thing, come up with something basic, leave it and circle back around. Next month we'll go back and start embellishing: 'Let's double that one part and come up with a middle bit.'"
Das ist schon ein Unterscheid...abgesehen davon waren die 4 Jahre der bislang längste Abstand zwischen zwei Maiden Alben.
Ich mein nur, für ihr Talent und das, was sie früher mal geleistet haben, sind sie heute schon SEHR bequem geworden. Gut, hab jetzt auch nicht gedacht, dass sie die 7-8 Songs schon fix und fertig hätten, aber 2 Jahre sollte es trotzdem nicht dauern müssen, von diesem Standpunkt aus ein ordentliches Album auf die Beine zu stellen.
Der letzte war das Black Album. Abgesehen davon - Brave New World und Dance Of Death find ich hammer!
Ist dann natürlich auch ne Geschmackssache ab nem gewissen Punkt, aber auch wenn beide Bands zu meinen großen Favoriten gehören, gehört Metallica immerhin zu den Top3.
^^
Ich finde aber auch, dass Maiden ziemlich konstant schwächer wurden seit Brave New World! 
Aber mich wunderts einfach, dass die bei den Hammeralben, die sie früher in kürzester Zeit rausgehauen haben, heute eben grundsätzlich diese "wir gehen jetzt mindestens 2 Jahre chillig ins Studio" Einstellung haben. Ich hätt halt zu gern mehr Alben von denen als die paar.^^
Wenn die so irgendwann im Frühjahr ´11 langsam anfangen denk ich mal ist 2014 realistisch. 2013 wär für Metallicaverhältnisse schon recht zügig. Aber wer weiß.. Der ganze Prozess läuft ja auch wieder geschmeidiger mit allem drum un dran. Meinten ja selber das se wieder ne neue "Einstellung" zu all dem haben seit DM.
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METALLICA Frontman To Guest On SiriusXM's 'Liquid Metal' - Feb. 28, 2012
Tune in to Liquid Metal on SiriusXM channel 40 on Thursday, March 1 at 5:00 p.m. ET / 2:00 p.m. PT for an exclusive interview with METALLICA frontman James Hetfield. James will talk to Liquid Metal host Jose Mangin about METALLICA's 30th-anniversary celebrations, the Orion Music + More festival, progress on the follow-up to "Death Magnetic", and more. In addition, the entire hour's playlist was handpicked by James himself.
Quelle: spin.com
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Lars Ulrich not a fan of clever release strategies "written about on 12 different blogs for six hours"
Given that Metallica are one of the few rock acts that can still reliably sell a ton of records, the decision about who gets a piece of the band's heavy metal pie is a big one — and one the metal monsters are about to re-think. "We're free and clear of our record contract. The world's our oyster," says drummer Lars Ulrich. The band's last studio effort, 2008's Death Magnetic, was released by Warner Bros. "We can basically do whatever we want," he continues. "And we're going to start figuring that out."
The band is even contemplating non-traditional approaches to releasing its new music. Though, as Ulrich explains it, exactly what that might entail is still far from certain. "We're writing music and we're going to be recording very soon," he says. "At some point we're going to want to share that with people that are interested in listening to it. So we gotta figure out ways we want to do that, from giving it away in cereal boxes to getting people to do handstands for it. We could come up with something wacky."
One thing Ulrich wants to make clear, though, is that the band is not sitting around conjuring up buzzy distribution models. "This whole thing about who can come up with the coolest [release strategy] so it can be written about on 12 different blogs for six hours — I mean sure, that's all pretty cool and hip," he says, "but at the same time you have to remember we have a very global audience. We have fans in India and the U.A.E. and Russia. In a lot of these places there are still more conventional ways of getting music to people. We're not just selling Metallica music to people in Los Angeles, New York, and London. We have to think of the whole globe to try to find the right balance."
Just like their business future, Metallica's new music is also in its beginning stages. "We're still throwing ideas around," says Ulrich. "We work in stages. Some people will write a song from beginning to end in one go. We don't do that. We'll develop, like, 10 ideas and do a couple cycles. We'll do a verse, chorus and maybe an intro, and then we'll leave them and go develop 10 other ideas. So it's a little early yet because we haven't gone back yet and started tweaking anything. Right now we're throwing ideas at the canvas and picking out great riffs."
Much further along is the planning for the band's Orion festival, which takes place on June 23 and 24 in Atlantic City, New Jersey. "Right now we're putting the final touches on a stage that's going to host mostly thrash and punk — kind of extreme stuff," Ulrich reveals. "The whole point is to give people a chance to explore. It's not so much about, 'Okay, I’m going to park myself in front of Stage A for the next nine hours.' It becomes about continuous movement: 'I’ll go into Lars' film tent. I’ll go over to Kirk Hammett’s surf tent. I’ll check out the comedy and the thrash stage.' It’s pretty ambitious. We want to make sure it’s the best it can be."
A comedy stage at a Metallica-curated music festival? We're there.
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